January 24, 2025
Jackson: Hidden Tracks is excited to announce the judges for the Tennessee Songwriters Week Qualifying Round on Saturday, February 8, 2025, at The Carnegie Center for Arts and History.
January 22, 2025
Raina Shults, owner and founder of Sprinkle Me Sugar, is competing in the prestigious Entrepreneur of Impact contest. With the chance to win $25,000 and a feature in Forbes, Shults aims to expand her innovative concept and bring gourmet joy to more communities.
Jackson, Tennessee has been nominated for Best City for Street Art, as part of USA TODAY 10Best’s Readers’ Choice Awards.
January 21, 2025
The City of Jackson, in partnership with local organizations, will open a Temporary Warming Center for homeless men, women, and children from January 19-22, 2025, at the First United Methodist Church Mission Center.
January 14, 2025
The Tennessee Department of Tourist Development (TDTD) unveiled the official 2025 Tennessee Vacation Guide today, offering an insider’s how-to for experiencing world-class destinations and unforgettable moments across the state.
Hub City Theatre Company is thrilled to announce its upcoming production of Neil Simon’s beloved comedy, Barefoot in the Park. The show will run from January 17th to 26th at Turntable Coffee Counter in Jackson, TN.
The City of Jackson is accepting applications for part-time/seasonal positions for the 2025 Season at the West Tennessee Healthcare Sportsplex, proudly named the 2024 USSSA Baseball Complex of the Year.
January 13, 2025
The Carnegie Center for Arts and History is thrilled to announce its grand reopening on February 1, 2025, featuring a new exhibition by artist Bryan Birks.
January 9, 2025
Former students from the sixteen Tennessee Rosenwald schools, including the West Bemis Rosenwald School, Madison county, are invited to participate in the Rosenwald School Heritage Initiative Oral History Project.
January 7, 2025
The Ned presents the Jackson Teen Theatre in The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon and adapted for the stage by Simon Stephens.